Colour Study is a meditative and evocative experimental short film that will entrance you. Writers Charles Demers, Chelene Knight and Shazia Hafiz Ramji take us on a dreamy journey through ROYGBIV, while organizing objects and locations by their exact colour. Eager to share this visual narrative, we touched base with Graham Kew and Daniel Code, the filmmakers behind Colour Study.
Watch Colour Study on CBC Gem here
Tell us about Colour Study, the inspiration, the people involved, the narrative
Graham Kew: The three narratives in Colour Study were written and narrated by Chelene Knight, Charles Demers, and Shazia Hafiz Ramji. At the outset, we gave the writers basic parameters and shared information about colour theory and colour science, but then we just tried our best to stay out of their way. Reading each of their first drafts was both exciting and daunting. I do love that in film you can hand over control to a writer or a composer or a production designer and then they come back with something so creative that it just blows your mind and elevates the entire project to a whole new level. We got very lucky with the whole team on this project.
Daniel Code: The concept started to take shape after I found a video about scientist Neil Harbisson and his sonochromatic scale, and how he created a camera to transpose light frequencies into sound frequencies to help with his colour blindness. After that I dove deep, listening to pure sound frequencies while looking at different colours. Once I got off my laptop, I noticed that the colours in the room had really popped for me as if my eyes had been through a colour workout or something. I started thinking about the order of colour and creating an art piece based on this experience.
C/O Anthem Jackson Productions
Tell us a bit about yourselves, your careers and what inspires you
GK: Anthem Jackson is the name of our production company. Dan and I have both worked in the industry for years across a variety of departments, but AJ is our creative outlet. We want to produce innovative and authentic projects that matter to us.
DC: I’ve always been inspired to work on projects that provide a certain level of creative and social fulfilment. I’ve stayed pretty clear of the Hollywood movie machine to focus on smaller projects with friends and people I enjoy collaborating with. Sometimes you have to treat it as a creative lifestyle rather than a job.
C/O Anthem Jackson Productions
What advice do you have for emerging BIPOC filmmakers?
DC: Building a community is important and finding allies in that community can go a long way. Work with your friends and/or develop relationships with the people you connect with on sets. Network at bars, art galleries, clubs, or places outside of film work environments. I’ve always found the best networking relationships are with people I’ve shared a meal, coffee or drink with randomly in a place people were out just having fun. Volunteer in the area you want to learn something from and don’t waste your time on areas you don’t need. Learn as much as you can for your goals. Put some sweat into those areas until you feel comfortable and then let people know with conviction exactly what you do in film.
It’s an uphill battle in the film industry as a BIPOC. Quite often I’ve been surrounded by primarily white creatives and it’s been a challenge to make your voice heard. Having a more diverse video production can really create a beautiful and comfortable creative atmosphere. It allows room in the project for different cultural perspectives that otherwise wouldn’t be noticed without this diversity. You would be surprised at how many BIPOC creatives are out there and a lot of them like myself would be willing to help foster their talent or point them in the right direction.
GK: I wouldn’t presume to give advice, but if any emerging BIPOC filmmakers reading this are struggling to break into documentary editing, they can hit me up at [email protected] and I’ll try my best to connect with them.
However, I will give advice to well-established non-BIPOC filmmakers… Reach out and see who you can help get a leg up! The mentors in my career have been incredibly important to me and it’s a relationship you will most likely enjoy and get a lot out of.
C/O Anthem Jackson Productions
Do you have any upcoming projects you can share with us?
GK: We are developing a scripted series with Shazia – one of the writers from Colour Study – and we have two documentary projects in the works, one of which is about a legendary 1970s Nigerian Afrobeat music group.
C/O Anthem Jackson Productions
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