Congratulations to the 41st Annual Magazine Award Nominees!

 

The 41st Annual Magazine awards are taking place this June at the Arcadia Court in Toronto. We complied a list of all the BC nominees – check them out!

 

Best Magazine: Lifestyle

Explore-Vancouver

Published by: My Passion Media Brad Liski, publisher David Webb, editor Edwin Pabellon

Art Direction Grand Prix

Issue 23: Cheese

SAD Mag-vancouver

art director Pamela Rounis

Art Direction of a Single Magazine Article

The Fifth Coast

Mountain Life Annual – BC/ON

contributor Amelie Legare, art director Leslie Anthony, editor Kristen Wint

Best Editorial Package

Only in Canada

Cottage life mag-BC/Toronto

art director Michelle Kelly, Jackie Davis, Blair Eveleigh, Liann Bobechko, Braden Alexander, editors Kim Zagar

Long-Form Feature Writing 

Hakai Magazine-Victoria

handling editor J.B. MacKinnon, writer Jude Isabella

Feature Writing

The Hunger Games: Two Killer Whales, Same Sea, Different Diets

Hakai Magazine-Victoria

handling editor Larry Pynn, writer Adrienne Mason

Dammed and Determined

Kootenay Mountain Culture Magazine- Kootneys

Bob Keating, writer Mitchell Scott, handling editor Tara Cunningham, Mitchell Scott,

Peter Moynes, Chris Rowat, Darren Davidson, Vince Hempsall, Mike Berard

Columns

City Informer

Vancouver Magazine-Vancouver

Stacey McLachlan, writer

Investigative Reporting

The Ecolabel Fable

Hakai-Victoria

handling editor Raina Delisle, writer Jude Isabella

Fiction

Food for Nought

Malahat Review -Victoria

handling editor Shashi Bhat, writer John Barton

Before he Left

Malahat Review -Victoria

handling editor Jason Jobin, writer John Barton

Visions

Taddle creek- BC

handling editor Lisa Moore, writer Conan Tobias

Poetry

No Buffalos

Malahat Review-Victoria

Handling editor Délani Valin, poet John Barton,

Migrations: Salt Stories

Room Magazine- Vancouver/BC

handling editor Juliane Okot Bitek, poet Navneet Nagra

When Louis Riel Went Crazy

Taddle creek- BC

handling editor Katherena Vermette, poet Conan Tobias

Illustration

Paul Goes West

Taddle creek- BC

Art Director Michel Rabagliati, illustrator Conan Tobias

Portraits Photography

Towing the Line

Vancouver Magazine-Vancouver

Editor Carlo Ricci, photographer Paul Roelofs, art director Stacey McLachlan

 

 

 

 

 

For More Information on the 41st Annual Magazine CLICK

 

 

An Interview with Steve Smith from Aircover Inflatables

If Creative BC can help get the word out about what we’re doing next with the Air Panel, that would be a huge door opening for us. -Steve Smith

Safety was a big motivator for Steve Smith and his partners when they started Aircover Inflatables, an alternative to the traditional green screens used in the film industry. Their previous experience as key grips had them putting up substantial screens for visual effects, with no way of controlling the elements. “It was actually quite dangerous; there were incidents of large screens blowing over in crazy wind storms.”

Their goal was to build something that was not only safer, but also more efficient and environmentally friendly. The end result won them an Oscar. Steve credits their success to their persistence; “It took several years and many prototypes, but we created an inflatable wall, the Air Wall, that could be used as an outdoor VFX screen.” Since then, productions like Godzilla, Tomorrowland, and Planet of the Apes have implemented use of the Air Wall successfully.

According to Steve, there have been some incredible inventions designed by grips. “Grips are inventive; we’re problem solvers. We’re in charge of making shadows and supporting cameras. We install large outdoor screens and backdrops, mount cameras to cars; we do all kinds of things. We’re often asked to do things that shouldn’t be possible, yet we have to figure out how to do it on the spot! That’s the mind you need to have to be a grip.”

Steve’s been amazed at how other grips have used their products in ways they didn’t initially intend on.“They were using one of our Air Walls on Pirates of the Caribbean in Australia when they started to deflate it to let more sun in. Someone suddenly yelled to stop as they realized they could control the airflow to have it maintain a specific angle. They slowed down the airflow and it got them the shot they needed!

”Steve and his team are now working on a smaller Air Panel that tilts, pans and rotates. It’s particularly helpful for smaller productions that don’t require large outdoor screens. “The Air Panel will be a huge time saver; it’s compact and easy to get into locations with limited space. It’s completely unique – there’s nothing like it anywhere.”

As Steve and his team head into prototyping, they need support with funding and making connections. Coming from Los Angeles, Steve is proud to call Vancouver home. “I’ve been here for 17 years and it’s amazing how well the crews and departments get along and work together. We’ve had an incredible response from people here, but it’s always hard in the beginning with a new product. We can always use more support when it comes to getting the word out.”

Learn more about Aircover Inflatables on their website: aircover.ca

An Interview with Ché Aimee Dorval

 

One of the biggest areas for which I could use additional support, is gaining knowledge about international touring, because it’s hard to know who to approach or what to do. -Ché Aimee Dorval

Ché Aimee Dorval’s relationship with music has always been a bit tumultuous. For years, she struggled with how she could approach music in an authentic way, while still making a living doing what she loved. She left Vancouver because she didn’t feel like there were enough opportunities for her here as a musician, yet it was in leaving that she actually got to see Vancouver in a new light.

After living in Toronto, she returned to Vancouver and started making music again. “Now that I’m here, I realize how beautiful it is to be in a smaller scene like this. There’s more of a chance to rise up. There’s also a spirit of collaboration here amongst the different creative industries.”

While she returned to Vancouver for family, and not for music, she found herself recording an album, Casualties of Cool, with a friend. “It was nice to just write and not feel like I had to do anything with it. Making this record sparked my interest in music again. I also learned so much about putting myself out there.”

 

 

While she was out promoting the album, Ché started writing her own songs. “It was then that I learned about Creative BC and the grants being offered, and I have to say I’m so glad you exist! I applied for the funding and that allowed me to not only fund my latest project, but also helped me get my music in the hands of different people.”

Ché is now using her voice to share stories that are important to her and her audience. Writing her latest album forced her to look outside of herself and see the world for what it is. “When I was growing up, I was naïve and idealistic and I thought we, as women, were further along than we were. Yet, the past 10 years have shown me otherwise. There’s still so much that we come up against everyday. Writing music is how I try and make sense of the world; how I deal with things.”

This spring, Ché will take her new album, which was created through the support of the BC Music Fund, on the road–touring Canada and giving people a chance to hear what she has to say. “I’m excited because I did everything I wanted to do with this album. I want people to be able to get to know me as I really am, and all that comes with that.”

 

 

 

An Interview with Mike Wozniewski from Hololabs

 

We want the online universe we are creating to become a resource for kids, parents and teachers interested in computational literacy – and we need support to make that happen. -Mike Wozniewski

Mike Wozniewski came from the world of academia, where he was studying virtual environments and game engines in Montreal. Yet, he gravitated toward artists and how they push the boundaries of technology and creativity. “The most satisfying work for me is building technology that helps artists create new art.”

Mike launched Hololabs in 2010, and then moved to Victoria with his wife and three kids. He set out to ensure that every project he worked on – from video games to virtual and augmented reality, to web portals – would help empower people to be more creative. When asked what Hololabs niche focus is, he was quick to respond: “We make wacky, experimental, weird things! Most importantly, we want to empower people to learn and be creative through technology.” Yet, there’s something even bigger motivating him these days. “Two of my kids are young girls, and as they started to engage with technology – mostly through the app store – I was frustrated with what was available to them. Everything was so gendered and stereotypical. And then I met Jordan.”

 

 

Jordan Stratford, who lives on Salt Spring Island, wrote The Wollstonecraft Detective Agency, a book series featuring positive female role models in science, technology, engineering and math. Based on young Ava Lovelace, the first computer scientist, and young Mary Shelley, the first science fiction author, the series follows two young girls in the 1820s as they set out to solve mysteries often connected to other female trailblazers.

 

 

Mike is now turning that literary world into an online universe. “Our hope is to create a video game that can play across platforms, as well as a web portal that gives kids the opportunity to engage with the characters on an ongoing basis. They can learn how to become a better detective, they can read about female pioneers, and they can even interact with a mechanical computer. We want this website to become a resource for every school that is teaching computational literacy.”

With the support of Creative BC, Mike is building the online portal, yet he knows that’s only the beginning. Hololabs is self-funded, so they not only have to find development money, but they also need to figure out how to maintain everything once it launches. Mike believes that finding people who will champion his vision is key.

 

 

 

An interview with Rob Sanders from Greystone Books

“Support in getting out to other parts of the world is critical. We can’t just sit back.”

-Rob Sanders

Without question, there is a strong demand for Canadian content in Canada, yet that doesn’t always translate to international success. According to Rob Sanders of Greystone Books, in order to thrive in today’s publishing market, you need to think globally.

Greystone had the foresight many years ago to set up strong distribution channels across the US and UK, and that’s helped them stay in the game. “We are a stealth publisher, which for us means not pushing Canada on the rest of the world. We find it’s more effective to publish ideas and information without borders.”

While it can be hard to compete with major publishing cities in different time zones, such as New York or Toronto, what it really comes down to is readership. Rob believes that a reader in Texas or London, England can be just as engaged as a reader in Cranbrook, BC. It’s only a matter of reaching them in the most economical and efficient way.

 

Despite the advantages the big publishing cities have, they’re not always better, according to Rob. “In places like Toronto and New York, there’s always something happening, 24 hours a day and that can detract attention. Out here, you have a bit more quiet so you can focus on your community. We have a good sense of what people are doing here.”

British Columbia has a strong publishing community. From writers to designers, artists to small publishing houses, there are lots of people working in the industry. In order to stay ahead, publishers need to continue to be innovative and push the envelope. “We do something new every month – we’re always trying new things. Yet there aren’t a lot of resources to draw on, and we don’t have deep pockets, so it can be challenging. Creative BC has been helpful as we set out to learn what other markets, in other parts of the world, are doing.”

What it comes down to is building relationships and fostering communities. It’s helping establish places, in person and online, for books to find their readers.

“I believe that good material will always find interested readers. For us, it’s about being sensitive to what people want, how they will react and where they will hear about it. Young people are the readers of today and tomorrow, and we want to continue to create an active, dynamic community of writers and people who are interested in what they are saying.”

This interview originally appeared in Creative BC’s 2016/2017 Impact Report.

An Interview with Michael Gazetas, Lost in Space Location Manager

Lost in Space, the latest Netflix series to be filmed in British Columbia is being released this Friday, April 13. BC Creates had the opportunity to talk to Michael Gazetas, the location manager for Lost in Space about what it was like filming this one-of-a-kind production in British Columbia.

First off, where in British Columbia was Lost in Space filmed?

We filmed in almost every municipality in Metro Vancouver and in other areas of the province, such as Squamish and Kamloops. A majority of the 2nd unit filming occurred near Cache Creek at the CN. In Langley, we mostly shot at farms including the Johnson Farm and Emerald Springs where Legends of Tomorrow and Travelers were also filmed. In North Vancouver, most of the filming took place in the Lower Seymour Conservation Reserve and Lynn Canyon Park. We had the opportunity to collaborate a lot with the community in Lynn Canyon which was great for the crew and the community.

What was it like being a Location Manager for a set based in space?

I had to imagine what a lost planet would look like when envisioning filming locations, a unique task which ultimately ended up including some spectacular wilderness locations.

With a crew of 200+ and some remote wilderness shooting locations, managing complicated logistics was a large part of the job. For example, one of the shoots took place on a glacier in the Mount Garibaldi range, we had to get 75 crew and their equipment up the mountain in one wave, a real logistical challenge for the Park Rangers, Conservation Staff and the Sno-cat operators. We were grateful everyone was collaborative and a great help getting this shoot done. 

Where there any unexpected challenges during the production?

The snow was a big one! The production was filmed last winter when we saw extraordinary amounts of snow, it was one of the coldest and snowiest seasons Metro Vancouver ever faced! We did a lot of filming in Watts Quarry, near Squamish and it seemed like the snow was non-stop, there were times when all only access road was buried under several feet of snow, and on one very long night, we had a grader drag out our work trucks one-at-a-time so we could film the next day at studio.

While shooting at the Lower Seymour Conservation Reserve, the unusual amount of snow also meant that bears came searching for food lower down the mountain than they usually would. It was a unique challenge keeping the bears away from the catering trucks! To help, we hired bear management experts for the set and they also conducted special bear management training for the crew.

What’s next for the Lost in Space crew?

I believe the family feel of the show is a great niche for Netflix, with a potential audience of those aged 8 to 80, I think the show will do well!  The ultimate hope is for Lost in Space to be renewed and keep using Metro Vancouver as a studio hub.

Anything else to add?

This was a wonderful production to be a part of, although there were challenges with the weather and wildlife, the crew always found a way to overcome adversity and successfully complete the shoot.

Magazine Profile: Dance International

Dance International covers classical and contemporary dance in all its facets, locally, nationally and internationally, with lively critical analysis, expert commentary and superb photography. The quarterly magazine informs and delights readers with in-depth coverage of the diversity that inspires the art form.

Dance International makes an important contribution to the public conversation about dance of today, while offering reflection and insight into the past. As well, with almost 40 years of continuous publication, they provide a historical record of dance in British Columbia, Canada and abroad that is a valuable resource for scholars and the general public. BC has many prominent locals that have achieved international success in the dance world, including choreographer Crystal Pite.

The magazine has humble origins as a newsletter for the Vancouver Ballet Society almost 40 years ago. Now a 64-page quarterly featuring articles from local and international writers, the magazine is distributed not only in Canada, but also in the U.S. and around the world.

 

“For a lot of our writers, dance is their life, it’s their career and they invest a lot of their own time and money researching and being involved in dance. I feel it’s important that we’re there to support them.”

–       Kaija Pepper, Editor Dance International

 

Learn more about Dance International on their website and follow along with them on Twitter, Facebook and Instagram.

 

Celebrated BC Children’s Authors Release New Book

Following the success of their bestselling book Hello Humpback!, celebrated and award-winning children’s authors Roy Henry Vickers and Robert (Lucky) Budd are back with One Eagle Soaring.  We had a moment to check-in with Lucky and learn more about these wonderful books. Read our full interview below and follow along on Twitter with Lucky and Roy.

How did the partnership begin?

Roy and I met over our love of BC’s stories! I was working for a time at the Royal BC Museum as the person charged with digitizing their oral history collections. It took me nearly 5 years to listen to all of the amazing stories in there! Roy called me one day because there were a few recordings he was looking for. We connected right away and have been in this together ever since.

How many books are in the series (or, how many will there be)?

We are planning on doing 3 books in this series: first words (Hello Humpback), numbers (One Eagle Soaring) and colours (that will be next year). It is possible we will do a 4th.

What inspired One Eagle Soaring and Hello Humpback?

I was visiting Roy’s home which overlooks the Skeena River. My children (5-3 at the time) were playing on the grass with a friend’s little one (1 year old). An eagle swooped over the river and landed in a tree. Our friend said, “I wish there was a little book that could explain what we see every day on the west coast to my toddler!” Roy and I looked at one another and said, “We can do that!” The result was Hello Humpback!

What’s next for the series?

The next book in the series is a book that will introduce the colours we see everyday when we are out playing along our majestic west coast!!

ROY HENRY VICKERS is a renowned carver, painter and printmaker. He is the co-author of Harbour Publishing’s popular children’s Northwest Coast Legends series, all of which were shortlisted for the Bill Duthie Booksellers’ Choice Award: Raven Brings the Light in 2014, Cloudwalker in 2015, Orca Chief in 2016 and Peace Dancer in 2017. He lives in Hazelton, BC.

ROBERT (LUCKY) BUDD is the co-author of the Northwest Coast Legends series and the author of Voices of British Columbia (Douglas & McIntyre, 2010), which was shortlisted for the 2011 Bill Duthie Booksellers’ Choice Award, and its sequel, Echoes of British Columbia (Harbour Publishing, 2014), which won second prize in the BC Historical Federation’s writing competition in 2014. He lives in Victoria, BC.

Life Tree Media – The Best of Both Worlds

With a commitment to helping, healing and inspiring its readers, LifeTree Media brings written works to life by publishing books and offering authors additional editorial and marketing services.

Founded in 2013 by Maggie Langrick, LifeTree Media has made a name for itself in the publishing industry for its commitment to aiding personal growth and conscious communication. Pushing the boundaries of the traditional publishing model, the hybrid publishing model employed by LifeTree Media is giving more self-financed authors access to the mainstream marketplace. The creative and distribution services offered by LifeTree Media has contributed to the success of its published works.

In combination with Pink Velvet Couch, LifeTree Media is co-hosting an all day Book Publishing Boot Camp in Vancouver on Tuesday, March 6. The event is aimed at helping first time authors find out exactly what it takes to plan, write, publish and market a nonfiction book!

Some great authors LifeTree has worked with will be sharing their insights at the event, including Tracy Theemes, The Financially Empowered Woman  + Lindsay Sealey, Growing Strong Girls.

To learn more about the event click here.

 

Magazine Profile: The Claremont Review

The Claremont Review is a literary magazine that features outstanding fiction and poetry by young writers between the ages of 13 and 19. The magazine has about 650 to 700 annual subscribers that are primarily based in the U.S. and Canada, although they have begun shipping more issues internationally.

The magazine is edited by volunteers, who take on a great amount of work during the journal’s busiest period, from January to April. During those first few months of the year, the editors finalize and edit selections for the spring issue, write their Canada Council grant application, run the annual contest, and compile a shortlist for the judges.

“If you want to know the future, pay attention to what youth are doing in their art, what they are trying to tell you or show you about the human condition and what is possible for humanity.”

–       Jody Carrow, Co-Editor The Claremont Review

The Claremont Review has seen significant changes over the years. Artwork within the journal’s pages is now printed in colour, the number of international submissions has increased, and they have doubled the prize money for their annual contest. A unique feature of The Claremont Review is the guaranteed feedback they provide on submissions, which supports and encourages young writers and artists.

 

Stay up to-date on The Claremont Review by following them on Facebook, Twitter and Instagram